balance mod (
balancemod) wrote in
balance_logs2019-09-16 08:41 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
- ace attorney: maya fey,
- ace attorney: mia fey,
- doki doki literature club: sayori,
- final destination: alex browning,
- good omens: aziraphale,
- my hero academia: izuku midoriya,
- original: ferran gallagher,
- red vs blue: agent washington,
- the good place: michael,
- umineko: lion ushiromiya,
- umineko: willard wright,
- undertale: sans
Field Mission 5: Il Prigioniero, Part 2
![]()
![]() 1. THE MANAGER'S CHALLENGEA. MEET THE BOSS Once upon a time, there was a man, a woman, and a little boy. They were a family. They loved each other very much. Once upon a time, there was a monster, a protector, and a dreamer. They never asked to be a family. One by one, they fell under the pressures of each other. There are always layers to any story. There are at least two sides to any reality. When a man kills his wife with no consequences, what is the end of the story? Will the universe allow such an unhappy ending? Or are there forces that drag it on long past its natural span? With a single act of resistance, four Reclaimers have Remembered and thereby broken the cycle of the Night Show. But this isn't the end. This is barely the middle. Because the Wonderland you've seen so far is a layer of new pink skin over an ugly infection, one that goes deeper than anything the Bureau has seen so far. You can see what's underneath, now, as the theme park is whipped away in an implosion of void-space to show you . . . Emptiness. A space that is no space, blank and white in all directions. Free of gravity, every Reclaimer in the park — and, shockingly, Angus McDonald — is held in place with hands cupped and outstretched in front of them, all facing the same way. They cannot move. They cannot speak. They are the audience. Before them stands a man. Slim, tall, nondescript. He wears a bow-tie with a pattern of Rolands on it. And he is smiling. ![]() "Welcome to my Wonderland! My name is Adrian Morgenstern, and I am the Manager. It's a pleasure to meet you. Each and every one of you have had a very interesting effect on my Wonderland in my absence. Some more than others, and at greater cost to yourselves — but I encourage individual choice in Wonderland, and ownership of personal consequences. Suffering is a part of life. It builds character.There's a crack in the facade. A literal crack; something in the structure of his face is off suddenly, like something has fractured and slid. One cheekbone higher than the other, a hairline fracture underneath his eye. You blink, and it's fixed. His smile is wide, but his face is whole. Suddenly, in each Reclaimer's outstretched hands (and in Angus's), there is a single three-sided die. On each side is written a word: BODY, MIND, or SPIRIT. "Don't lose these, now! These are your cheat codes. If you find yourself struggling with the scavenger hunt and in need of a little help, you can play a little game of chance to give Wonderland something of yours. It won't take anything that will kill you, don't worry. But it will take things that matter, and it won't give them back.He winks. And blinks out of existence. And suddenly, the nonspace you occupied is gone, and you are Somewhere Else. 2. WONDERLAND, UNDER THE SKINB. THE ILLUSION COMES DOWN CW: Emetophobia, body horror, reality caving in on itself For a short time after Adrian leaves, everything is as it should be. Wonderland is Wonderland, but quiet and still aside from the background music. After a few breaths, heartbeats slowing, the music warps and bends like rotting wood, going further and further off key until it grinds. Clangs once, loudly, down to your bones, and halts. The world freezes in absolute silence. Then. A sizzling noise. Burning paper. The illusion starts to die. To your left, the floor peels up like it's made of paper, mist, waving like a mirage before your eyes. Colorful red velvet floors reveal dark green and glowing violet moss and fungus. Gold tile floors give way to ebony wood, gone rock solid in atrophy. Disease. A small black vine reaches from the floor towards you, towards Life, but withers and hardens before your eyes. You need to leave. To your right, a wall bleeds. Is it actually blood? Sap? The color seems to run away from your eyes - goldredwhiteyellowblackblackblack - covered with an iridescent sheen, an oil slick, pouring out and up and towards in ways that burn your eyes and soul. You need to leave. All around you, the Wonderland you've come to know burns like shadows in sunlight, or sunlight to shadow. The ceiling and walls and everything morphs to the inside of some unfathomably large tree. Roots and branches and gouged out holes, forming paths of the most non-ecludian sort. Some... things out of sight climb up and down in the darkness, looking for purchase, escape, travel. Far too many limbs, or none at all. You need to LEAVE. ![]() You look at your skin. Your veins are too dark. Visible. Present. A weight builds in your heart, The Reclaimers (and Angus) can still move, bolt for what was once a cascade of colors, lights and joy. Now it's a gaping maw, jagged edges like splintered teeth around a hole like a cavity, sap like pus seeping out of the edges. The once-elevator now-branches bring you back to Shadowdale, covered in a charcoal smog that seems to smile at you from every angle. C. THE CAVALRY ARRIVES Lucretia, after receiving Sans' text about the current state of affairs within Wonderland, is faced with a decision that only she could make. Years ago, she came upon this place and lost decades of her life, all in an attempt to stop the mechanations of this horrific landscape. Her biggest failure, a thorn in her pride, she assembled the Bureau of Balance not long after her visit in order to take down places like this. People or things who obtain a power they should not have. She doesn't know why Wonderland is the way that it is, she can only guess that the Grand Relic has corrupted the World Tree down to its core. But more than that, more than the years she put onto her life for a wager of chess, more than the meticulous, maddening obsession she has with destroying every single one of these objects that threaten the world- her Reclaimers are here. Her Reclaimers. Against the judgment of most of her advisers and Moon Base employees, she grits her teeth and holds tight to her staff. Carey, Killian, and Lucretia descend upon the forests of the Cormanthor region. It takes them far, far too long to make it through the wilds. The forest can sense when someone is coming to destroy it, and thus, sends everything it can against them. Enchantment after enchantment gets flung their way, but she knows better. She's seen Wonderland before and she reckons that no one has ever visited this place twice. Arriving in Shadowdale, she looks up to see Yggdrasil in its sad, sorry state. Clasping her staff in place, finally here, she is resplendent in her detestation of this unholy place. A few of you might be there at the base of the tree when Wonderland transforms into its hellscape, and you might see her approaching, purposeful, as if every step is one of reclamation and poise. Angus McDonald looks upon her and tilts his head, trying to figure out what exactly it is that's going on. Lucretia warmly smiles at him. "Hello, Angus. I've heard much about you." "Ma'am?" ![]() Her face gives no sign of anger, of fear, or resentment. "Don't worry, Niel. We'll free you from that monster." She doesn't renege on her promises. Lucretia slams her white oak staff on the ground and in an instant, a flash of brilliant luminescence fills all of Shadowdale, expelling the darkness that lingers around the corners of the sleeping town. She erects a magic dome from the center of her origin, expanding out from her as she concentrates on her magic. Lucretia's gifted in the arcane herself, you see, and a giant Globe of Invulnerability spell now blocks entrance nor exit from this zone. And for the first time in centuries, Shadowdale sees sunlight. Carey and Killian flank her. She needs to concentrate on this spell in order to keep it active, and they're there to stop anyone who thinks about getting in her way. D. NEW RULES OF WONDERLAND It's a zero-sum game here that Adrian is wagering. Lucretia didn't bring Dr. Tank down to Shadowdale for a very specific reason; an expert chess player herself, she always thinks in terms of move by move encounters. She figures that the rules would change quickly once the Reclaimers had figured out what was behind the curtain, so to speak. There's no way that Wonderland would allow healing or restoration of a body within its confines. She aims to cut this place off from the outside world. To quarantine it away from escape and cage it inward like an animal. No, Dr. Tank would be useless here, and if anything... dangerous, to put their chief of medical staff here in the middle of the mission. And thus, no one can come in or out of the area once she's erected the barrier. Returning to base is no longer an option for the remainder of the mission, including any and all facilities provided by its administration: Bender's food, Fantasy Costco, items you may have left behind, etc. Those of you who have opted out of the horror plot for the month will most likely be spending your time in Shadowdale for the next two weeks, providing back up and support to Lucretia. The work you do out here is equally as important as the work that needs to be done on the inside. Whereas the forest was quiet and still before, it seems to have taken on a new life of its own, now that it senses the Source of its life deeply threatened. Killian takes command from here on out. Anyone not willing to go up to Wonderland needs to stay down here and stop the encroaching darkness from attacking. And she means that, literally. ![]() As you look around the outskirts of town, the dome extending well beyond the vantage point you can see, there are creatures, made of darkness, dripping a deeply red sap that sparkles in the newfound texture of light Lucretia's spell provides. One bounds forward from the edge of a building, four legs crawling and made of pure shadow, and attempts to make an attack towards the Director. Carey cuts it down as it splits into two and vanquishes into a dark dust. "What the hell are these ugly gods-damned things?!" Some of you might've noticed it before in your rolls, but in the light provided by Lucretia's spell, there's no denying it. Negativity forms a dark cloud straight from Carey's mouth, as her eyes go wide at the sight of it. The monster at her feet, now a cloud of dust, seems to feed on it as it reassembles back into its form. What the actual fuck. 3. A TASTE OF GOOD SUFFERINGE. REEDS GROWING OUT OF MY FINGERTIPS The Wonderland the Reclaimers and Angus find themselves in now looks nothing like the Wonderland they left behind. The feel of it is similar, except that the creeping dread has officially crept. It's here now, fully-formed and breathing down the back of every single neck. What was whispered before is screamed now: Wonderland is here to hurt you. The fun it seeks is not for you, but fuel for something else, something you haven't found yet. Nonetheless, you're here to feed it. And so, you begin to realize, is Yggdrasil. The naturally-minded among you begin to realize it with sickening certainty: the roots, the veins, the stiffness and the ever-present tarlike substance stem from the sickness of the World Tree. Wonderland, and all of you, are within Yggdrasil's rot now — and as much as it tries to reject this magic, the insidious power of the Compact has taken over too far. The tree is dying. Inside of it as you are, you can practically feel it. The entire place is a warren, structured like the tree it's draining the life out of. From the central trunk, the central locations that used to be Squares slide off from the main body in long, twisting branches that turn in nonsensical directions before abruptly coming to a halt. Each Square exists in uncomfortable parody here — or maybe the original was the cruel joke, because the purpose of Wonderland is suffering. At any turn in your path through the channels of Wonderland, you'll be swimming through darkness creeping in on all sides. No light can penetrate past your periphery, with very few exceptions; you are a moving lantern in this blackness, functioning on faith that whatever comes at you, a mystery until the last moment, will be something you can handle. Stumble into Battle Square and find yourself face-to-face with a monster of vicious intelligence and amorphous shape, delighted to cut you to ribbons over a period of hours while telling you every secret shame you've ever harbored. In Event Square, a knot midway up the endless trunk, time goes taffy-sticky as you trip through loops of memory blasted on every wall, loud and confusing and overwhelming, going on for what seems like forever. There's more, of course — more discrete spaces than you could even see in Wonderland. Any manner of horror you can consider can be found here, as vast as Yggdrasil itself. One or two places, though, will be particularly easy to recognize — and difficult to escape. F. THIS IS NOT FOR YOU Sometimes, investigation gives us little tips and tricks for solving the next stage of the puzzle. For example: Michael found a map to the mirror maze, back in the first iteration of Wonderland. But unfortunately, sometimes the setting also cheats. Ghost Square is still here — but maps aren't going to do you any good. Enter this section of Wonderland and the door behind you doesn't exist anymore. It doesn't pop out of existence; it just isn't, like it never was, like maybe you imagined it in the first place. A hallway, apparently manmade, stretches out in front of you, dark and cold. It appears to be approximately 60 feet long. The walls are black. When you reach out to touch them, they are freezing to the touch and too smooth to be natural, not shiny enough to be polished, too hard to be plant matter. You have no idea what they are, but touching them saps the warmth out of you, so you stop. ![]() Back the way you came, there is a staircase. It wasn't there before. You certainly didn't pass it. It spirals down into the depths. It could be a story deep or a hundred. You have no way to know. You turn back towards the direction you originally walked, and there is only a wall. It's the spiral staircase or it's nothing. You go down. As you descend, it gets colder. Colder and darker, and the darkness and cold press against you, creep under your skin and make you shake. The halo of light around you begins to dim the deeper you go. If you go deep enough, it will be hard to tell what's light and what's your imagination. Because really, honestly? The longer you stay in this place, the more you begin to think you're hearing things. Whispers just beyond your ability to decipher. A soft laugh, like that of a child or someone trying to stay quiet. And if you stop, or rest, or feel something negative — anger, frustration, sorrow, despair, it doesn't matter, because a black fog drifts out from between your lips. And in the distance, something roars. Just a little bit closer every time. Every once in a while, as you descend the staircase, you will pass a mirror with a red X taped near the top. Sometimes you'll see yourself in it. Sometimes you'll see something worse. When you get right down to it, what you get out of the world has a lot to do with what you put in — so we hope you're staying positive, or you might see something really nasty. G. THE SONG BEYOND THE SONG The aftermath of MARIA's destruction, the Area That Was Once The Night Show is a blasted husk. More than anywhere else, the walls ooze Yggdrasil's lifeblood from where something... was. Something large used to be chained here. Open gashes and empty sockets line the walls and floor. A large root knotted like a spine shoots through the very center of the room, a support pillar, entwined into the ceiling and floor and Everything of this cavern. Growths like tumors rise from the floor - what was once gambling tables look more like grasping hands. A few curl into themselves, knocked over, shattered to splinters in the wake of what was once there. Maria is gone. She is free. There is a sob. Small. Weak. Mortal. At the base of the pillar, half-absorbed into the plant matter of Yggdrasil is Stylosa. Black roots creep up through her arms, chest, face. Her tears are tinged black, but the eyes are still hers. One arm reaches out. She whispers 'please help, it hurt̷̟͂s̶͕̓ ̵̻͂ĩ̸̺t̸͔͐ ̴͙̍ḧ̷̜́ù̸̘r̶̢̓t̶́͜s̸̫͒ ̸͑ͅî̶̺Ṱ̴̿ ̵̠̃H̷̙͊U̸̻̒R̶̯͛T̸͓͠S̸̢͌`- The world goes static, right then wrong then right again, and the original Wonderland surrounds you. Silent - for a second. An explosion of color and canned applause comes from behind you. What was once a stage opens once more. There is the Henrik some of you were searching for, skin plaster, eyes matte black, a rigor mortis smile across his face. His voice booms out of speakers that aren't there. ![]() And then Da Vinci's Body, appearing from nowhere, the same black eyes and battered smile, smacks him upside the head. A slapstick comedy in all the worst ways. "That one doesn't work! We're in an ash tree!" "No, we're in a cactus!" "Ahahaha! Oh, Henrik, you know I'm a succa for your jokes!" Both them and the invisible audience crack out into raucous laughter, doing matching poses like they're both on the cover of Vogue magazine. They whisper something to each other and 'Da Vinci' runs off stage to prepare. "Tonight, in celebration, we'll be holding our first ever... talent show!!! Our main acts are just boooring now. You know what I mean? Look at this mess-" A hand waves out, and Minato unfolds up from the floor, harp welded into his hands, painted and decorated and held in place with pipes and wire. 'Da Vinci' waves her arms, unveiling the elaborate music box. His hands play against his will, plinking out the sad notes to a certain Velvet Room theme. He gets left alone in tired silence for a bit before a note goes off key. 'Da Vinci' yanks his face into the same smile, freezing it in place. TODAY IS A JOYOUS DAY, we are all so very HAPPY, and the eyes of 'Minato' go black. The room is filled with cheers and rainbows, an excited irish jig played out by their wind-up stage musician. 'Henrik' doesn't wander the room, choosing instead to make sure the background music keeps going. The statues and paintings once lining the walls bend before your eyes - reforming into memories from your home, replays of your failures, but all done up in catchy pop-art style and played for hilarity. Rather than Marias, all newcomers are visited by a black-eyed ghoul wearing a human skin. They hand out drinks and paperwork, what would you like to participate with in our talent show? The winner not only gets a job but- One wish from the Compact. Surely that's way more interesting than trying to get out, right? 4. OOCIn order to keep to our goal of providing the most personalized Wonderland experience for all of you, we're setting a limit of 1 RNG attempt per character this log. Additionally, please be aware that while some mundane rolls will have standard-level DCs, many rolls, including those with the potential to uncover plot information, will be high-risk high-reward and will have a very high DC along with steep penalties for failure. As always, we will let you know of this before we roll, and you have the option to decline any roll at any time. If you would like to gain a bonus of +2 on any given roll, those who have opted in to horror content may make the choice to sacrifice something of body, mind, or spirit. We will determine your sacrifice based on your horror homework. It is up to you whether this sacrifice is for the duration of the mission or a permanent sacrifice. As an additional reminder, there is no healing in Wonderland. To a few of you, this will be even more detrimental than usual. To those of you who went too far with your debts or your choices, who have lost your very Selves to Wonderland. A list: ○ MichaelDespite Lucretia's spell, the Light won't effect you guys. Over the course of part 2 you'll find you're slowly falling prey to what hit everyone else in wonderland. Your skin will turn pale, your veins will turn dark, you'll start vomiting viscous Abyss that occasionally comes to life, and eventually your eyes will turn black and you will Petrify. Should you as a player not want to play out the vomiting part, it can be exchanged with breathing out black mist. Whichever's cool with your school guys. The speed/intensity of this change and all of its symptoms is also up to you. There are two exceptions. Da Vinci, while she is still a Roland, will simply start going rotten, seams growing old and fur collapsing away. Constant Mending will mitigate this, but she's on a timer to get her body back now. Willard will find that as the hardening of the glass continues, it will start to lose all color and begin to crack in places. These cracks will leak the same tar infecting the other players. Minato, despite being a Music Box right now, is still in his physical body and is not an exception. On a more general note, we encourage you to make your own mini-horrorscapes in this setting! The entirety of Wonderland is available to dark-side, with the exception of what we've already laid out for Ghost & Wonder Squares. Improvise and make a mess. Just make sure to tag anything warning-worthy. Anything on the OOC post is fair game, and if there's something you'd like to try, please don't hesitate to let us know on the RNG thread. Should you have any questions, please direct them to the OOC post linked above. blurb code by photosynthesis |
RNG
no subject
ANYWAY! Since healing is off the table, Honoka is instead going to do her best to use Bardic Inspiration on Niel in the hopes of helping him fight off the Petrification effects! She knows she probably won't be able to fully heal him, but she just?? doesn't want to sit around and do nothing while he's obviously suffering. We might even get some passable poetry out of her, because this is such a serious moment but don't bet on it.
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
(no subject)
...
(no subject)
...
...
(no subject)
...
...
(no subject)
(no subject)
...
...
...
...
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
(no subject)
cw: domestic violence, murder, child abuse
...
(no subject)
(no subject)
...
...
...
...
(no subject)
(no subject)
...
(no subject)
(no subject)
RNG IS CLOSED!!!!
WHAT ANGUS MCDONALD KNOWS
no subject
And by that I mean - once Lion's immediate concerns are dealt with (dragging the other Casino Raid-ees to safety, supergluing Will's leg back on, shoving their panic attack back into a mental broom closet, possibly being told to stop bugging Lucretia), they're going to make a beeline for wherever Angus was seen last so that they can check to see if he's okay.
And, y'know, possibly to hear his thoughts on what the hell just happened. Though the first thing they're going to say, upon seeing that he also has one of Those Dice? "Don't roll that!"
(no subject)
...
(no subject)
(no subject)
...
(no subject)
(no subject)
...
(no subject)
(no subject)
...
(no subject)
(no subject)
continuation from part 1!
(no subject)
...
(no subject)
(no subject)
(no subject)
lion | ota
wildcard.
respite.
reference to ep 5 spoilers
...
remember. (umineko spoilers all the way down, slight cw: drowning + reality-warping)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
give me the horrorscape baybee
...
a
(no subject)
...
...
...
...
...
...
...
...
...
...
b, absolutely here for will and/or maya
:eyes emoji:
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
a
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
slams in late for awkward babysitting shenanigans
hell yeah
...
...
...
...
...
...
...
...
...
...
...
...
...
ryuji | ota
2. battle theme intensifies (cw: emeto, body horror)
3. la torture par l'espérance
4. etc
[closed prompts]
1
Re: 1
...
...
3, pre-death.
(no subject)
...
...
...
2!!!!!
(no subject)
...
...
...
...
...
...
...
...
...
...
...
3
(no subject)
...
no subject
[Wonderland is wearing its face more plainly now, and that would almost be a relief if not for the feeling they've all been swallowed up by that face. Dark swirls of negativity snake out from under Sans's clothes, but it's hard to see in the darkness. Every step is twisted and uncertain, so Sans tries to push through. He vanishes into mist. He doesn't expect to reappear exactly where he was. There's the instinct to try and feel out the path, but he knows it doesn't work that way here. He pauses, tries again.
This time reality won't quite let him go. Reality catches on his bones and stretches out like streamers. His body twists with the force, and Sans's eye flickers blue-yellow-blue as he acts on instinct, trying to snap together quanta of magic and spacetime. It doesn't work, of course. He can't do that here.
He's lucky, this time. The ribbons twisting him in place snap and curl inward and melt away. Sans drops face-first to the ground.]
B; it's raining somewhere else (cw: time loops)
[Time is stretching. Time is stretching and stretching and tearing and skipping and playing like a movie on the rough, knotted bark. Time is looping. Again. Again. Again.
rts showed a massive anomaly in the timespace conti
This is a memory of something that didn't happen. Sans thinks he's walked this path before. Sans can't remember. Golden pillars and broken stained glass windows. Of course he can't remember, that's not how it works. This could be the first time ever, this could be the last time ever. Does it matter? Another second goes by, and the old second is still there, a fresh wound in his memory, but there's theories about that, right? The world could have been created yesterday, but if that creation included memories of a time before, then you'd never know. You just end up right back there, again, again, again, did you think you got out, did you think you got out, did you think you got out
sorry, ▒▒▒▒▒▒▒▒. This is why I never
ermine the future of th
This is a memory of something that happened. Sans thinks he's walked this path before. Sans can't remember. Golden pillars and shining stained glass windows. Do you trust them? That anomaly? Do you like them? Why? Why do you like anybody anymore? None of this even matters.
Papyrus is alive. He and the human are in Papyrus's room. Sans doesn't know if either of them has any idea what a date is. Papyrus is dead. The human hadn't seemed so bad, the human had been nice to so many other monsters, so why when it was Papyrus, why only then? Papyrus is dead. Everyone else is dead. The human isn't a human. The human isn't anything he thinks he can understand. He's not sure if he has enough feeling left to be afraid.
He will stand alone against the anomaly. He will judge the human, and hope they will be better. He will leave the underground after the human helped to set them free. All at once and all together and all fighting with each other, images looping and screaming, pay attention to me, pay attention to me, give up, give up, give up, I did, why even try?
There are creatures closing in, dark and viscous things, crawling on too many legs along the tree as they chase down the negativity flowing off Sans like a waterfall. He doesn't notice.]
C; Wildcard
[Sans isn't taking well to this, but if you'd like him somewhere, just let me know!]
no subject
(no subject)
B; cw: emetophobia (re: shadow monsters)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
fallen down (cw: emetophobia)
(no subject)
...
...
...
...
C
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
b
(no subject)
...
...
...
...
...
B
(no subject)
ota; will match format
Ferran can't leave this alone. Although helping Lucretia is... apparently important, he doesn't like the idea of everyone else risking themselves inside what's left of Yggdrasill while he's out here, waiting for something to happen. He can't stay behind—so he goes.
Somewhere along the way, he slips through a fissure, fingers scraping the edges of something sharp as he falls. At first there's only black, but then it becomes a stark contrast slicing through colors so bright they hurt to look at, jewel tones that sparkle in a light that isn't there. He lands on his side with a crack on whatever counts as the ground in this crystalline place, gasping. Nothing should be cracking. He forces himself to his knees, and when he looks at his hands he sees a deep, beautiful red and for a split second thinks blood but no—
He is Garnet. That's all he was meant to be: a tool for some higher power to wield, never a person with his own goals or a future. He was given power, and everything else was taken from him—his home, his family, even his sense of self as he obsessively turned to that new role. But ultimately, it was for nothing. He lost that power too, failed in every goal that might have been expected of him as a Noble. His friends are dead. His revenge is impossible. His world is gone.
He sees his reflection in pyrope hands, and the new scars on the side of his face have eroded to show the gem underneath, faceted and polished. He could never be anything other than this; now that his world is gone, he's just a useless decoration. And with the dark fractures running through his hands and jaw, he can't even manage that adequately. He just has to wait to be thrown away.
Someone else could fall into this nightmare in the same way, or simply find themselves walking into a cave with walls of gemstones and a floor of rough onyx. Maybe they're unlucky enough to feel crystal slowly overtaking them from their core once they step inside, just like the young man who's kneeling and staring into nothing. All the other Reclaimers would have been so much better suited to the mantle of the gemstone he was given...
"What's the point... of any of this?" he mutters, sibilant sounds shattering midway through and echoing off the walls. "What am I doing here?"
--
[B; some kind of harry potter betrayal reference goes here]
Color. There's so much color here, every part of it dense and whole, but unlike the excitement of Wonderland, it leans more towards comfort and contentment. It all fades together, the transitions impossible to make out: A clean school hallway. A refined house. A calm city evening on the river. Ferran almost loses himself in it, but reminds himself what he's here to do—
There's a hand on his shoulder.
—but then there isn't.
Vague faces fade in and out around him as the light dims and color saps out, their voices laughing with disdain, pity, superiority. The deepest of them seems to echo more clearly, and the longer Ferran listens to it, the harder it feels to move. He has to find the others, his allies They didn't trust you, why would they?, his friends They were forced to like you, it was never real, the relic None of this means anything, you'll never make a difference... but he stops moving forward.
Everything was fake. Everything was a lie. Why would it be any different here? They don't have much choice but to work together, and they hardly know anything about each other. He already knows that thinking you know someone, trusting them enough to confide in them—that doesn't mean anything. At any time someone could take away everything that means something to him, and he would never see it coming. The deep voice echoes again:
They're just waiting for the right chance. You're so easy to use, after all.
He's no longer made of red stone, but black cracks snake up his face as he succumbs to paranoia. It's easy in this place for anyone to feel the same, familiar people whispering gleefully about every time they've hurt you, every time you were abandoned when there was supposed to be trust and support. Eyes wide, Ferran pulls a dagger on whoever has approached. There's an almost invisible but iridescent chain wrapped around his wrist, extending into some spot above them that's impossible to see.
"Get away from me."
[Wildcard]
[Ferran will be remaining in Shadowdale for several days at first, working to fight off monsters and help provide resources, before heading in to presumably help with Reclaiming efforts. If you want anything else with him, let me know here or at
b
[ she braces herself. he needs help. and she's not going to leave him here. ]
Hey, it's just me! Maya.
[ if that's of any comfort. or in case he's seeing something in her that isn't there -- it wouldn't be the first time. ]
And I want to help. It looks like you're stuck.
[ both physically, and stuck with some kind of nightmare. ]
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
wildcard!!! around shadowdale, during rescue team recovery, after blake revival
hell yeah
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Opted out; will match format
[He should be going inside the tree. He should be going with the bulk of the Reclaimers, facing down Wonderland in its horrifying truest form, hunting down Adrian Morgenstern and the Compact and dragging them both to the surface. It's another Recovery mission, just...in a different dimension. With mind-searing, reality warping magic.]
[He's not Recovery One anymore. And he...can't handle magic. Not this level of sheer malice, and not at this scale. Not like this.]
[He's a Reclaimer now. He's supposed to be down there in the thick of it, finding the Relic. Instead, he's topside, giving in to fear and failing at the most basic tenet of his goddamn job.]
[From the outside, it may look like he's trying to catch a breather in the quiet moments between monster attacks. Get a little closer, however, and it's impossible to miss the black vapor escaping from the seams of his armor.]
2. I hope to never fall
[Wash knows combat. Two wars, countless missions, and most recently a maxed out Fighter path means he damn well knows what he's doing in the heat of battle, especially against alien horrors that want nothing more than tear you open and spatter your life across the floor.]
[Yeah. He's got this.]
[Maybe you've been (i) fighting back to back with him in the thick of battle, watching his back in the same way he watches yours, moving in near perfect unison, weapons brought to bear. There are monsters everywhere, but he's not worried. He can't be - worry is negative, and negativity only makes them stronger.]
[Or maybe you're (ii) cornered - you were making a supply run, or you pursued your target too deep and got caught out on your own with monsters hot on your tail-]
[When a twenty-pound ball of snarling fury slams into the first monster, bearing it into the ground with sheer inertia alone before speeding off into the shadows, preparing for her next attack. Athena is the opening salvo; Wash isn't far behind, sprinting in to finish what his familiar started. The monster falls, and he spares a moment to look at you.]
Are you okay?
[Either help him fight or run; either way, he'll cover you.]
3. No disaster can touch us anymore
[It's not all combat - this is a long mission and needs a base of operations. To that end, Wash can be found shoring up nearby buildings to make them more defensible against monsters - wanna help him board up windows and build barricades out of furniture?]
[He's also heading up supply runs, getting groups together to search for food, medical supplies, and anything else they might need. It's going to be a long haul, and you can lend a hand to make sure they get through it, right?]
[Or you might see him in one of the fortified buildings, providing medical attention to his fellow Reclaimers and whoever else is up top. He's not a medic by any means, but first aid is better than no aid. Plus, Athena has a habit of hopping into people's laps and purring for all she's worth, and that's definitely medicinal.]
4. It's all a game
[Wildcard! Hit me up at
[Also, music! Because ambiance is a Thing.]
no subject
3
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
3
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
3
(no subject)
...
...
...
...
...
...
...
...
...
Roxas
[There is an instinct telling Roxas to run.
And Roxas wants to obey it but for the moment he can't. For the moment he is transfixed by the way the world seems to melt around them all, how reality reshapes itself away from the amusement park and into likeness of the tree. The idea that they were somewhere that wasn't real, regardless of how real the things that happened to them were, resonates with him in a way he does not like, hitting a little too close to home how he was trapped in a digital simulation.
But if nothing else, it's what motivates him to get moving. And he does. He runs, as fast as he can for the exit and he's almost there when there's a glint of silver that serves as a second reminder. He's a Reclaimer. He's on a mission. He can't just save himself.
He's not far from the exit, calling out for any other Reclaimers, Wonderland Visitors, Angus even. He reaches out, grabbing the hand of an elf and recoiling almost immediately. Because the madness that has been lingering around him finally sets in, as the ashen skin and black veins of the affected visitors morphs in to the stretchy wiggly limbs of a Dusk. Because, is this how it happens?
Roxas jumps back, the keyblade summoned to his hand as he swings wildly.]
I won't become a Dusk! I will not become a Dusk!
2. Growing Up in Some Strange Storm, Nobody's Cold, Nobody's Warm
[Having escaped whatever is that Wonderland has become, Roxas is obviously shaken. He doesn't jump into the fray right away, instead taking a moment to himself to try to breathe. It's hard though, as he can't erase what he's seen. While it's lessened as he's calmed down a bit, there's still black vapour pouring off of him.
Eventually he finds himself near where the Director is casting her spell. He keeps his distance, not wanting to distract her, or Killian or Carey. But he's not too far away, wanting to be near the light. Wanting to feel safe even if he is meant to be of the Darkness.]
3. Shadows jumping all over my walls, some of them big some of them small
[It always comes back to the familiar in the end.
There's one thing that Roxas knows he can do, and do well, and that is fight monsters. He has his keyblade out in one hand, and his curved pirate sword in the other, and he is fighting. It's just really tough when you're the one creating them as quickly as they're knocked down. But he's doing his best, combining all the skills that he has at his disposal.
He's not sure when he made the decision, but he knows he has to do this. At the very least, he has to protect the Director as she focuses on her spell, and do what he can here while everyone else is in Wonderland. He's a Reclaimer after all. And everything has lead to this.
He charges into another crowd of monsters, aura of courage blazing, and for a brief moment, if you squint, you might see the outline of another boy, one with similarly spikey hair, before it is just Roxas again.
Or you might just see the keyblade flying past your head in a Strike Raid.]
Head's up!
Take it from your heart, put it in your hand
We're looking for a book like this, or at least something with similar illustrations. That's what Angus said to look for, and I trust him.
This is the bookstore where we found it, so there might be more.
Also, sorry about the mess. I might have put stuff into piles.
2
(no subject)
...
...
...
...
...
...
Hayner || Opted IN
[All at once, the illusion fades, and Wonderland gives way to the stuff of nightmares.]
[What was once a brilliant and mesmerizing place is now quite literally rotting from the inside out, and Hayner is horrified. He had drawn Beacon once the creepy voice had faded, but even with the magic sword, he feels his nerve leave him. Just like back in Lyrabar with the possessed townsfolk, he is gripped by the dawning realization that he is in for a battle that might be too much for him.]
[He tries to keep his nerve. He sees people fleeing, or stunned, and reaches out to grab someone to pull them along.]
H-Hey! We have to get outta—!!
[His words give way to a startled yell as the elf he’d grabbed practically disintegrates before him. He stands transfixed, gaze flicking between the black, ichor-coloured mess before him and the pulsing black of his own veins.]
[He needs to get out of here. But he might need someone to shake him out of his shock.]
E – Stay right where you are, while death waits outside your door
[He’s trapped inside.]
[That’s Hayner’s first thought once he sees the barrier go up. There’s really no turning back, and he has to physically swallow down his fear when he realizes this. This is for real, and whatever injuries he might sustain aren’t going to be magically healed up this time. He might not have been with the Bureau long, but this isn’t his first mission. He knows that he’s not alone, and knows that as a Reclaimer, they have to fix this. They have to get that Relic, and get out of here…]
[…but he’s still just a kid. He didn’t even have superpowers before getting here. And now, trapped inside this rotting hellscape, he feels that much more keenly than he ever had before.]
[He ends up in Battle Square, and finds himself face to face with an abomination of a creature, something barely human-shaped with too many mouths and far, far too many eyes. It lunges at him like a wolf on a rabbit, and all Hayner can do is defend, scrambling backwards while wildly swinging his sword, aiming at wherever might be a weak spot for this thing.]
G-Get back! Get back!
F - While finding shelter for the end, they begin reflecting on everything [CW: unreality stuffs]
[Somehow, the darkness and cold of this hallway is worse than the chaos and mayhem outside. Hayner is already freaked out enough as it is, and the cold and randomly appearing staircases and walls aren’t helping. Arms wrapped around his middle, he descends the staircases. There’s nowhere else for him to go.]
[The soft voices have him turning his head this way and that. The faint roar that keeps sounding randomly makes him jump each and every time. Occasionally, he passes a mirror, and he can’t help but glance in it. Sometimes it’s his own reflection he sees. Sometimes it’s the faces of people from Twilight Town, but their eyes are black voids, their faces distraught. And then he sees an image of Pence and Olette, their eyes blank and faces warped with pain. He hears their voices, full of venom and accusation.]
“Why did YOU get to live, Hayner?”
“You ABANDONED us..!”
“Always trying to play hero…”
“Sora could have saved us. Roxas WOULD have saved us!”
“We hate you, Hayner!”
[When he backs away in horror, the figures in the mirror begin to crack and crumble, leeching ichor like the ‘guests’ out in Wonderland. Hayner tears his gaze from the mirror, grabbing his head and hunching over. He barely notices the black fog puffing from his lips with each breath.]
Stop it! T-That's not..! I-I just wanna get outta here!
Wildcard
[[OoC: If you got any other ideas for a thread, hit me up with a PM or on Plurk (
B oh boy here we go
[Not this exact scenario - a gilded exterior dropping away to reveal the rotted bowels of hell itself is definitely a new one - but the reactions...]
[He's lived through war. He's seen the expressions of soldiers fresh out of basic and facing down their first Covenant bombing; of seeing someone alive one moment and in far too many pieces the next; of feeling the needler shards in your gut and not wanting to contemplate what happens next. It's a gut-churning, dead-eyed panic, a feedback loop in the brain that leads to a swift death in a combat situation-]
[It's the expression Hayner is wearing right now.]
[Like hell is Wash letting anything happen to him.]
[He's already heading in the direction of the exit at a run; it takes little effort to change course and aim low, wrapping an arm around Hayner's ribs as he passes. If it involves yanking Hayner straight off his feet and half-dragging him to the exit, that's fine - so long as he gets out of there.]
We're leaving!
OH BOY OH BOY
...
...
...
...
...
...
B
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
E
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
no subject
[Wonderland had already started to chip away at Ogata's questionable mental state, and the sudden collapse of reality as they knew it was all he needed for his stability to come crumbling down. In a way, the horrible state of Yggdrasil is somewhat comforting. What use is there in faking something this horrible?
But who can really say, at this point? Wonderland had felt so real, even as he kept seeing people who should be dead within it. Even now, they still won't leave him alone. As he scrambles about the rotting tree in a daze, one unwelcome presence becomes constant. He can't sleep. He has to hole up somewhere. Escape, not from this place, but from everything else. He holes up in a crevice within the knotted wood in a spot that maybe used to be one of the game booths. Trying to squirrel away from Yuusaku, but he followed him no matter how improbable.
If you happen to wander too close, unknowingly, you'll get a warning shot for your trouble. No words said, but if you look in the direction the shot came, you might catch a glimpse of a wild eyed Ogata leveling his rifle at you, tucked away amongst the branches.]
[I'm rating this maze 0/5 stars on Yelp]
[The mirror maze wasn't great before. Now it's absolutely abysmal,especially since it's apparently lost most of its mirrors. He'd wondered if the mirrors would show him anything this time, but instead it's just a whole lot of darkness.
He'd gotten lost, so in some ways the staircase appearing is a welcome change of pace. The loss of any other options, less so. And the fact that another person seems to have been boxed in along with him, even less ideal.
When Ogata turns to look, the faint light reflects brightly off his eyes, startlingly reminiscent of a cat's in the darkness. That's weird, huh.]
Did you hear that?
[Some faint, distant, horrible sound. Definitely coming from down the stairs.]
[Wildcard]
[Ogata will be found, after the first day or so, traipsing around the tree, looking dead tired and unenthusiastic. His actions don't seem to have much purpose, but every now and then you might catch him speaking to the air as if there was another person standing next to him.
If you have anything else in mind, feel free to hit me up!!]
1
Is that...another Reclaimer? In a sniper's position?]
What was that for?
(no subject)
...
...
1 just so this is a running gag
I do love a running gag
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Aziraphale | OTA
[ He's not quick enough to make it out before Wonderland is cut off from the rest of the world. Honestly, he doesn't really try. He's too busy helping everyone else, trying to save everyone he can before the vines take over and it's too late.
He sees you. He reaches out, offering a hand up, a steadying grip. Trying to get you to the exit before it closes. ]
Hurry, my dear, I'll be right along!
trapped in wonderland
[ Aziraphale is an angel, a being of pure light and faith and love. The creeping darkness of Wonderland is the last place someone like him belongs - and yet, perhaps he's one of those best suited for his horrors, practically glowing with his own light as he moves through twisting corridors, never faltering, never doubting that his next step will land true.
Gone is the lighthearted sense of exploration and joy as he'd spent too many WonderBux and indulged in romantic tram rides. He knows danger when he sees it, and his face is set in grim - and yet optimistic - determination. No matter what horror your character may encounter, Aziraphale is there to save them from it.
Even Ghost Square isn't so bad, at first. Aziraphale is a positive person, by nature and by (divine) design, and it takes a long while before he gets discouraged. It happens, though. He's not, after all, particularly good at being an angel. He gets tired - more so now than he ever had before - and hungry, and then he's lost and the stairs go on and on and there's something, someone just past the range of his hearing. He grumbles in frustration and unease and black mist drifts out from his lips. Hm. That's probably bad. ]
Who's there? Show yourself!
night show
[ Unfortunately, as you know, Aziraphale. Somehow he ends up at the Night Show. Somehow he's not quite able to find a path of escape. Somehow he's trapped by a ghoul with eyes that were never human, and he never was terribly good at turning down anyone soliciting for anything. They're just trying to make a living, after all, or collect a few signatures, the dears, out there facing rejection after rejection, for charity -
He frowns, doubtfully. ]
Well...I do know a bit of magic, as it happens...
wildcard
[ Got a different idea? Go for it, or ask for a prompt! ]
For Crowley
Most of it he doesn't remember, at least not consciously; it's simply too much to keep track of in even an angelic head, though the context is easy enough to remember as he gets glimpses of people and places he hasn't seen in literal centuries or more.
Well. For the most part.
There's just one thing he really can't explain. One person, rather, most often a man, with red hair and dark clothes and yellow, serpentine eyes. He pops up again and again, over a timespan impossible for any human to reach, and Aziraphale...knows him. Or so it seems, from the memories. But he can't remember him now, even when the scenes he appears in are crystal clear in his mind other than that fuzzy shape where this...counterpart? Companion?...apparently was.
He watches, feeling more and more lost and confused, and finally tries out the name that had once been so familiar on his lips. ]
Crowley?
(no subject)
...
...
...
...
...
...
...
...
...
Ghost Square
(no subject)
demon aziraphale (ota)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
no subject
[ Honoka thinks at first that maybe she'll head into Wonderland with everyone else. In fact, she's positive of it. How bad could things be? Well, she's not quite that dumb or optimistic. She knows they're pretty awful. But she tells herself that if she sticks it out and does her best, then everything will work out just fine, probably. It has so far!
That's what she starts off thinking -- but then, she remembers what Maki had said to her, back on the train. Being carefree and optimistic all the time isn't exactly a cure-all. And it hasn't really helped so far. And besides... whatever's down there, Honoka got a good enough look at it while they were all making a break for Shadowdale to know that it scares the crap at her, and if she's all knock-kneed, then she probably won't be much help down there in the depths.
So she sticks to Shadowdale instead. She can't heal up here and sure, her poetry isn't great, but there are things she knows for sure that she can do up here. So she's just going to do her best at those, instead.
When she's not doing her best to aggressively Bardic Inspire the Director and Niel (when all you've got is a hammer...) you might end up running into her while she flits around Shadowdale, looking for anyone who needs a hand. She looks worried and a bit strung out, but as soon as she realizes someone's looking at her, she immediately forces a big smile. ]
Uh...! Hey! It's getting pretty crazy down here, huh? Are you doing okay? If you need a hand with anything, let me know!
[ She really starts to shine once the shadow creatures make themselves known, though. She's certainly not as graceful as some of the others and she ends up getting herself into a scrape more than once or twice, but considering this is Honoka, of all people, swinging around a sword, she's doing surprisingly well. ... Well, she could still do with a hand, if you're so inclined to lend one. ]
wildcard.
[ feel free to hit me up on discord or on
superorbital if there's anything else you'd like to do with Honoka for this log! ]
oh hey it's the one genki Wash hasn't managed to adopt yet
[What worries him more is the smile once she realizes he's looking. He doesn't like seeing his coping mechanisms in kids - it's always a flag that something is really, really wrong.]
[He pauses for a moment, then nods.]
Yeah, I could use your help. I need to test the sightlines on these - can you go stand over there for a minute?
[He gestures towards an abandoned cafe with outdoor seating. It's all a baldfaced lie, but if he can get her to relax for a minute or two, it'll be worth it.]
(no subject)
...
...
...
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
...
...
sayori ♥ ota
[While Sayori has every intention of doing what she can to take down Wonderland from the inside, she can't spend the entire time in the boughs of that rotting tree. And maybe others can, but they certainly shouldn't.
She sets up near the areas that other Reclaimers have established as bases. Close enough to consolidate, but not right next to the chaos of the first aid stations, for an important reason. She has...borrowed a few mattresses and bedclothes from one of the houses in Shadowdale, which have been cleaned with Prestidigitation, and she's set up a handwritten sign on the door to this room:
Take a break with Sayori!
♥ Comforting sights, sounds, and smells
♥ Inspiring poetry
♥ Snacks
♥ Naps (w/ magic if you need it)
She's sitting on a pillow between the two mattresses, smiling at whoever enters. There are deep, dark circles beneath her eyes that show she hasn't been immune to the strain of Wonderland, but her efforts here are genuine. She explains:] Hi! I figured that since, um...negative feelings make those...things... It's best if we try to keep morale up where we can. So you can rest here. Let me know what I can help with, okay?
♥ 2 - ghost square! ♥ (OTA)
A - [Have you been in this architectural nightmare long enough to start hearing things yet? Maybe, maybe not. No, wait, you have--because you can hear something now. Something soft, lilting, with a sweet cadence reminiscent of music...
It's getting closer. Close enough to make out words--and with them, the inspiring magic of a familiar Bard's poetry.]
When a light drizzle turns to storm,
We stop and take the time to mourn.
And if at the end of the day the storm still rages,
Our only choice is to be courageous.
[And then, Sayori turns the corner (was there always a corner there to turn?) and--is it possible that her light glows brighter upon finding another face in the impossible maze? It certainly seems like it, or maybe it's just the brightness of her smile.] Ahaha~ I thought I heard someone else! This is way worse than when it was a bunch of mirrors, huh?
[How is she smiling at a time like this?]
B (CW: unreality, emetophobia, probable DDLC spoilers) - [Maybe it's because she learned her lesson, sitting in front of a mirror bearing a red X.
She sees herself in the mirror. She sees herself in the mirror. She sees herself sees herself sees herself---
Sayori, watching Sayori holding a controller, staring through a Roland's eyes at a Sayori who's holding a controller who's---
On and on and on, a recursive loop that makes the mirror seem to stretch infinitely into the screen that the Sayori in the mirror watches, occasionally degrading into illegible pixelized glitches to the slow beating of a heart.
Her gaze as she sits before the mirror is hollow. When she speaks, apparently to no one in particular, smoky tendrils of shadow leave her mouth. She sounds very much like she's trying not to think at all.] I wonder if any of this is real.
♥ 3 - monty hall! ♥ (OTA)
[In this branch of Yggdrasil, there are three doors, numbered appropriately with 1 through 3. They glow in bright primary colors, a stark contrast to the dark, shining decay of their surroundings.
A voice, charismatic, echoing: Pick a door.
Sayori looks around with confusion.] Huh?
[It repeats: Pick a door.]
No way, this place is way too creepy, I'm-- [And she lifts her foot to step back, but she can't. Sayori and her companion are rooted to the spot in front of these three doors.
Pick a door. Behind one of them is your prize, the exit. Behind the other two--well. You don't want to find out what's behind those.
With alarm, Sayori turns to look at her companion. And then, between them and the doors, contemplation entering her worried expression. Just as she looks like she's about to protest again:
P̷̡̝̺̫̑́̒Ȉ̷̤̞̠̾̃͑̀͠C̴͙̈́̏͑̃̄K̴͚̝̫͔͂͜ ̸̭͉̑̋͛͌͗Ä̸̠̉ ̸̡̛̯̙̦̪̞̓̒́͝͝D̶̳̙̻̍̃̅̋Ó̸̱͆Ǒ̶̞Ŕ̴͇͇.̴̡͙̤̯̅̑
She bites her lower lip.] Which-- which one should we pick?
♥ 4 - wildcard! ♥ (OTA)
[hmu on discord or at
[locked prompts]
CW: graphic depictions of suicide and hanging, self mutilation, unreality/metafiction/fourth-walling
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
add another to the pile...
...
...
...
...
...
...
...
...
...
...
...
...
b.
(no subject)
3
(no subject)
...
...
shadowdale
(no subject)
...
...
...
...
B
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
wildcard | Battle Square ; feel free to take control of mr. monster as you see fit
gotcha!!!
...
...
...
...
...
no subject
+2 Very Important Prompts
leggy
...
...
...
...
...
...
...
...
...
...
...
...
legg
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
1/3
(no subject)
3/3
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
iii.
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
II, as we memed
(no subject)
...
...
iv.
cw: psychological horror & lmk if this works!
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
wildcard | IDENTITY HORRORSCAPE ft. Dahlia
this is just the plot to t & t
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Michael | OTA
ii. inside la casa, the house
iii. we will play hide and seek
iv. nobody's home, nobody's home
locked
ii.
(no subject)
iii
(no subject)
...
...
...
...
...
...
...
...
...
...
iii.
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
i (cw: emeto)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
iv. post-trolley wildcard? also umineko spoilers up to 5 referenced
(no subject)
iii
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
warning: near death experience
[ Minato, dying, falls. Nyx towers over him, wings spread, arm raised. They've lost. It's over. They couldn't do anything to stop the end of the world. He just hopes his friends are satisfied with their attempt.
He's being dragged. There's a whisper of fur against his face. Koromaru must have pulled himself back up. It's futile. He catches glimpses of Shadows and black mist. His eyes can't focus. His body is gone. He's dying. He knows this. The last thing he sees is the image of Shinjiro, though he's far too muddled to do more then recognize the blur of colors and shapes.
Unconscious, he's dumped into the medical bay which is more of a first aid shack, and gets tended to by people he wouldn't recognize if he was conscious. He's out for several hours, his slow breathing one of the few indicators that he's still alive. He's covered in stitches and bandages. The quick work of those staying in Shadowdale kept him alive.
He wakes up several hours later, no longer actively dying but too injured to get up and wander around, so he just lies there, waiting. He watches people as they walk by, unconcerned though he doesn't understand what's going. His eyes focus on you as you approach, but he doesn't say anything. If you know him, you can tell there's no recognition in his eyes. ]
OOC
Minato nearly died during the attempt to rescue him from the Night Show 2.0. He used his horror die and rolled mind, and has forgotten everything about the Bureau and everyone he's met here. Due to his injuries he'll be anchored to the makeshift bed until the CTA is over. Feel free to have a chat!
Closed to Shinjiro Aragaki
... Shinjiro-san?
[ He says it in just above a whisper, much less energy than he thought he had. There's a weakness within him, and a point much further away that's got his attention for some reason. ]
(no subject)
...
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
Alex Browning | OTA
ii. wonderland - do-over (cw: unreality, incineration)
locked prompts but theres only one
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
The Long One, bunch of cws in the prompt
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
1
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
Part 1, part wildcard, all concern
(no subject)
...
...
1
(no subject)
...
...
...
...
...
...
...
...
...
...
guido mista | ota
ii. wander the woods like we're hansel & gretel ( hallways )
iii. wildcard
HORRORSCAPE.
POST-STYLOSAQUEST.
iv.
...
...
v
i
ii
no subject
[They need to leave.
That’s all Izuku can think about. They need to get the hell out of here now. And he can get out. Even as he stops to vomit up sticky sap that’s building up in his stomach or wipes it as it falls out of his eyes like tears, he can move. He still has One for All. He can get out.
But other people can’t. And he can’t just leave them. That’s not who he is.
So he stays, trying to help whomever he can get out. If you seem like you need help, he’ll rush over to you and give you a hand or even carry you if that’s what you need. And he tries to do it with a smile on his face.]
Hey. Don’t worry. I’ve got you. We’ll get out of this.
[Sap drips from his nose. But he doesn’t pay it any mind.]
ii. This isn’t for me but I’m here anyway
[Izuku descends into the labyrinth. Both out of curiosity and out of desperation to find something, to do something. What if someone is trapped in there?
The air chills and the walls shift and something roars in the distance. Izuku swallows and presses forward. He occasionally plays a soft melody on his violin, in hopes that it will reach someone who is lost and alone.
The mirror with the red X shows his reflection. Or sometimes, it shows him smaller, beaten and bloodied, and worst of all, hopeless. The light in his eyes isn’t there.
But he keeps pushing. If he finds you, he’ll smile and go over to you.]
Hey! If we go together, we’re less likely to get lost. We should try to see if anyone in here needs help. Do you need water? I have some. This rag always produces clean water. It sounds gross but it works pretty well.
[He offers it to you. His reflection is normal.]
iii.Welcome to the Nightmare Show (cw: allusions to suicide)
[This place is unpleasant. But it seems like it’s the epicenter of a heck of a lot of the trouble here and Izuku is always attracted to trouble whether he likes it or not.
The ghoul approaches him with a contract.
Around him, the walls change into a memory. It’s sketchy, and the figures move against a static background. Everything is scrawled with crayon as though the lines were colored in by a child.
A group of children in kindergarden clothes laugh and play together. One figure, another child, with messy green hair and freckles, stands alone away from the group.
”Can I play too? I know all about heroes…” A small voice asks. Laughter sounds. Childish at first but it distorts into something cruel and wicked.
“Get out of here, Izuku! You’re just a Quirkless loser.”
“Gross! Don’t touch him or else you might catch his disease and become Quirkless too!”
“Wait! It’s not like that!”
The cruel laughter sounds and the group leaves the one child standing alone. Dejected, the Izuku on the walls walks away, alone. The drawings change. The art becomes clearer, older, less childlike. The Izuku on the wall becomes older too, wearing a middle school uniform. Still, he walks alone, past the crowds of other students in the hallways of a school. He keeps his eyes down.
He walks up the stairs from his classroom. Everyone ignores him. He opens the door that goes to the roof. No one acknowledges him. Step by step, expressionless, the Izuku on the wall ascends the staircase.
A voice echoes. A voice that might be familiar to some. It echoes, digging into your ears, like it’s being said in your own head instead of in the room.
Wh͡y ̷d͡ǫn̢'͢t ͞you̡ ͠take a͠ s͡wa͏n͞ ́dive ͏o̕ff̴ t̨h͟é r̛oo͟f͜? ́ M͟a͠ỳbe ̨yo͏u̵'ll g̷e͝t a Qùi͠r͟k͏ ̛i͝n̡ ̵your nex̶t ̴l̴i͜fe̡!͠
The Izuku on the wall approaches the fence at the edge of the roof.
The crowd laughs.]
N-no! That’s not… that’s not funny!
[Any hint of a smile is gone from Izuku’s face. He looks small, afraid, unsure. That didn’t happen. But it’s his memories that had been twisted into something else. Another voice echoes:
Y͝ơu a͢re unworth̶y̴ o͏f̴ be͜ing ́A̷l͏l Mi͘g͏ht̕'ś ͝s͟uc̛ce̸s͟sor̷, ҉Mi̴d̸o̢riya. ̨
The crowd laughs harder.
Izuku seems frozen in place. He's been trying to help everyone out but... even heroes need help too.]
no subject
i
(no subject)
...
...
...
...
...
blake belladonna | post-death | ota
b. shadowdale (open)
c. wildcard
;)
He freezes, wide-eyed, in the doorway. For the moment, he doesn't know whether it is her. Pale skin, dark veins, black eyes—there are a few others who've started to have the same look about them here, but he doesn't know enough to be sure. The relic has already proven to be capable of taking their bodies for its own means.
For the moment, he just stares, unsure of what to do or say. He's almost afraid that if he tries to say her name that he'll just be proven wrong.]
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
b for bad times blake
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
no subject
FAITO
cutting through the battle square to find people he knows is damn near impossible, but he hears kaede before he sees her... or, rather, he hears the insults. the super weak insults... and, more importantly, he hears the response.
what in the hell is the killing game? barely crosses his mind before a knife slides into his palm. and he steals forward, stealthily.
he is the night.and, suddenly, a knife thwunks in between the eyes of the damn thing. it dissolves into fluff again, and akira appears at kaede's side, somewhat frustrated. ]
Need some help?
(no subject)
...
...
deathsquad!!!
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
a-ish; after blake's revival
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
(no subject)
(no subject)
...
...
...
...
...
...
...
...
Nicholas D. Wolfwood | ota
[Here, the former employees of Wonderland are scattered around like driftwood. Propped up against walls, leaning on stalls that are now made of twisted roots, lying across the floor. The first employees he'd seen were turning like this, but they hadn't been this bad. No one here even moves to cough up that black tar.
Wolfwood crouches down next to one of the bodies. You really would just think it was a wooden statue, if you didn't have reason to believe otherwise. He places a hand on the petrified elf's forehead and closes his eyes to concentrate. He stays like that for a minute, until he opens his eyes again, his expression disturbed.] They're still alive. [Which means they're trapped by whatever it is that's happened to them. Are they aware, still watching everything from wooden faces?
He staggers as he stands back up. He didn't even get results from using that power, and it's still worn him out. He coughs into his hand. And then stands there, staring at the black gunk that came out.]
2. You Must Have Heard That Dreadful Noise
[He's gotten lost.
Wolfwood had thought that if he could just find the place where the tram used to be, maybe they could get a better lay of the land. Maybe the geography of the place hadn't been too transformed for that. But trying to find a way upwards just turned into walking up a steep hallway, growing darker and narrower. He can't stop, though. Going forward is the only thing that makes sense. Right? You can't turn your back. Right. And there's someone ahead of him. He can hear it. Can't leave them alone. Right.
But it's completely dark now. He slows, keeping one hand against the wall and listening.
Suddenly, there's a massive thumping sound, as if someone bounced a bowling ball against a wall. But the wall beneath his hand is still.]
3. Vexed to Nightmare
[He's been here before. Hasn't he?
You've been here before. Haven't you?
]
((Feel free to go for anything on 3-b, or hit me up at paperbacks on plurk if you'd like to discuss an idea!))
farnese de vandymion
just another tuesday; (horrorscape -- cw: burning at the stake, mind/body control, potential self-harm, and ... man, it's berserk, okay, there's gonna be a lot of gore somewhere in here)
wildcard;
corpsing
[ there's a bright light around it, which hopefully might ease some of farnese's pain. but upon the coughing, it looks up at her with concerned eyes. ]
(no subject)
...
...
...
...
...
...
...
incubus
(no subject)
...
...
...
wildcardish
<3
...
Erika | OTA
--> cw: car accident, hospitals, brain injury, memory loss/distortion, unreality
[Everything is leaking. She's no exception. It's an accepted hazard of returning to Wonderland. You accept it, right? Otherwise you wouldn't be helping Erika explore, watching her back as she tries to map out the tree's warped geometry. Or whatever it is you're doing here. Crossing paths. Wandering lost. Just accept it already.
There is a memory and the memory is ------------ having been pressed through distortions of creation, storage, retrieval. There is a normal car on a normal day on a normal overpass in a normal city. There is noise, impact, confusion, contained eternity a bed? a room? something is lost, someone is here, up is down and down is up and the memories grow out of place swallowing up time and space like the branches of this sick tree spawning worlds unto themselves spilling out like blood heat pain confusion confusion miss do you understand what is do you understand can you remember no nothing hurts at all because she can't remember until she remembers until she can't remember until she wants to leave but she can't leave but brother are you still there i'm scared but .
There is a memory reconstructed. It is full of holes. The holes fill themselves with abstract details. There is a ----- in a hospital bed. The walls were painted the color of -----. There were ----- people in the room. The memory is ----- days long and the world which is the room fades in and out in dizzy blotches.
There is a memory reconstructed. It is full of holes. The holes fill themselves with abstract details. There is a ----- in a small dingy room in a space station. The walls were playing ----- music at top volume. There were ----- broken VR terminals in the room. The girl in the memory has not slept in ----- days and the world which is the room fades in and out in dizzy blotches.]
That one's mine, [Erika says, about one or both, kind of stubbornly. Like, claiming the obvious, because the whole point of this shit when it happens is that these are secrets and it's supposed to be invasive and hurtful but it can't be if it's yours, can it? If you call its name? It's hers.] The thing about memory that you don't really think about is that none of it is actually set in the past. It's a simulation. A present configuration of your brain, possibly modeled after something you perceived in the past, physically part of you right now. [This cannot be anything but a rehearsed spiel. Erika rattles it off too quickly, and without breaking her focus from the path she walks and the notes she takes, for it to be impromptu.] They change over time. Your present affects how you look back on your past. That's kind of obvious, right? But the key is that whatever's after this will exert that pressure too. If we have to change to make it out -
[She trips. There's a short little gasp from her, not part of the spiel, and her eyes widen in a moment of pure surprise, and then she's just...gone.
But not gone. There's a drop, a strange trick of the landscape and a short fall and the guts of the room beneath and Erika lying more-or-less-okay-looking at the bottom, and the walls there are blaring too but it's something different, a swimming churning optical illusion of nothingness and a strange steady sound like static or chewing or the noise of matter undoing itself. The sound is quiet above, louder leaning down over the gap, probably deafening in the pit.
And though she doesn't look hurt, bruised at worst from the fall, Erika seems frozen under the surprise of that sound, eyes huge and limbs locked, barely breathing.]
[wildcard?]
[Hit me up any time if you have something you want to accomplish. Also, Erika is involved with the research crew based in Shadowdale, so she'll be doing that frequently, as well as just spending nights and rest periods there. Open to any generic Shadowdale content.]
placeholder
for akira
i sure don't have icons for these situations yet smh smh
it's fine. bamco didn't equip me w action erika materials either
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
eleanor shellstrop | ota
[Two days ago, Eleanor Shellstrop made a very important choice. Said choice saved ten innocent elves and her five group mates along with earning her a brief bit of face time with the manager of Wonderland himself- right before her trolley problem came to it's unfortunate conclusion.
Eleanor doesn't know how long she's just heard the constant roots and that voice she doesn't know. It could be a few hours or three months or 300 years in the dot of the i in Jeremy Bearimy and she wouldn't have known the difference. What she does know, as consciousness trickles back to her and the sudden flood of pain hits, is that she needs to know if she did it. Are the others okay? Did they really vanish from her sight right before the monster plowed into her or did Mia just let go of her hand at the worst possible moment?
Where her friends laid out her body, Eleanor jerks very suddenly back into the land of the living with a sharp, hissing curse of pain and not quite daring to open her eyes yet.]
Son of a-
[Okay. She can deal with this. Just eat as many painkillers as she medically can, maybe invest in some fantasy essential oils. Absolutely foolproof plan.
She waits another few seconds, waiting to see of the pain will pass and when it doesn't she cautiously opens her now solid black eyes. Definitely not the nightmare cave, so that's a good sign. She glances around the room, the details of her surroundings slowly clicking into place until her gaze falls on someone else in the room. She stares for a moment, grimacing at another stab of pain before flashing an exhausted but somehow still smug grin.]
So. What'd I miss?
b. shadowdale [open]
[As much as going back to Wonderland seems like a thing that should be done, Eleanor is good out here. Sure, she'll go back if she needs to but between her pain and fatigue, her want to keep an eye on Michael and her other friends, and making sure the elves are as good as can be expected she has her hands full in Shadowdale and that's fine by her for the moment.
Despite not being able to move as well or as quickly as she'd like (much to her frustration), Eleanor can be found almost anywhere in Shadowdale. She'll help with most tasks with adequate speed and only a moderate amount of complaining. Every once in a while you may catch her aggressively stomping on a very small black ooze monster. That's probably fine and normal.
A good amount of the rest of her time is spent back at the pharmacy or the makeshift infirmary, probably resting up from her everpresent fatigue or checking in on her fellow Reclaimers.]
c. wildcard!!
[hit me up on discord (SlothBless#5857) or on plurk (slothbless) if you have something else in mind!!]
no subject
Really, as Ghost, she'd only gone along because Eleanor had already burned herself into the case files in Mia's mind as an impressive and interesting person. Though Ghost could barely understand how she was a part of it, she had memories of Eleanor rallying those elves as if she was from behind a veil, watching Michael and Eleanor and the elves speak without her centerpoint even being acknowledged. It had been simple to accept assisting Eleanor on her quest- Ghost had a reason to protect Eleanor, and Ghost would follow their duty. The decision to hold Eleanor's hand as they faced their fate had been a simple one; if she could not save Eleanor, then she'd die supporting her, by her side.
But she hadn't. Eleanor'd gotten her way, her foolish, selfless way-- and had died without her *and* without a few of her elves. It'd been a conflicting feeling, even if at first Mia's only priority had been returning to Lion. But Ghost had two days to ponder, and to help with the mending and tending, and to process.]
Two days, is what.
[Ghost answers, striding over to Eleanor's side to look her over, brows knitting at the sight of Eleanor's eyes as she pushes some of Eleanor's hair out of her face.]
Ah...
[That's no good.]
since this takes place after the Michael thread- /dabs
...
...
...
...
...
...
...
...
A/C wombo combo
(no subject)
A
emeto warning
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
infirmary
(no subject)
...
A!
a/c kindaaaa...?? what is prompts, honestly